MINI WORLD
Our THIRD Editor Feature – in anticipation of our FOURTH issue – mini work to inspire you
MINI WORLD
Our THIRD Editor Feature – in anticipation of our FOURTH issue – mini work to inspire you
The weather's warming up; the sky appears clearer and brighter each day; daylight extends, slowly but surely, further and further into the evening hours. With this change of seasons comes something we're incredibly excited about – our very first print issue, and one featuring specifically mini, tiny, micro, and otherwise compressed work.
This turn towards "mini" work is hugely intentional for us. It's been a difficult year so far; we find ourselves living in a time that feels, overall, unlivable. As a publication, our response is to simplify. What does art become without the luxuries of extensive prose, flowery language, elaborate constructions of plot? When we strip our work down to its core, what will we find?
Short work is powerful and succinct. It finds ways to not only overcome its limitations but become empowered by them, use them as tools. This is the sort of energy we're seeking out these days. Short work, simplified work, compressed work; these tiny pieces of art feel like sparks of something powerful. We've selected six mini works – pieces that are short, simplified, or otherwise compressed in some way – that have inspired us; in turn, we share them here now in hopes of inspiring you.
Read the selected pieces below.
POETRY
ultimate haiku by Louis Phillips
Seventeen syllables.
I am using all of them
To say nothing.
Appears here
grown daughter by Lucille Clifton
someone is helping me with onions
who peels in the opposite direction
without tears and promises
different soup. i sit with her
watching her learning to love her but
who is she who is she who
Appears in Next: New Poems by Lucille Clifton (1987)
PROSE
Fear by Lydia Davis
Nearly every morning, a certain woman in our community comes running out of her house with her face white and her overcoat flapping wildly. She cries out, "Emergency, emergency," and one of us runs to her and holds her until her fears are calmed. We know she is making it up; nothing has really happened to her. But we understand, because there is hardly one of us who has not been moved at some time to do just what she has done, and every time, it has taken all our strength, and even the strength of our friends and families too, to quiet us.
Appears in The Collected Stories of Lydia Davis (2009)
the sky didn't slip inside by JJ Peña
let's pretend the day didn't begin with death. let's pretend you didn't facetime my sister from your car crying, YOU'VE LEFT ME & I'VE FALLEN THROUGH THE EARTH, & then put a plastic bag over your head, start suffocating. let's pretend that bag didn't suction tighter & tighter & tighter, skin tight. let's pretend your facetime with my sister didn't end moments later & you weren't missing for over a day. let's pretend we didn't find you lifeless in the backseat of your car, eyes open, jaw slack, mouth a lost crescent. instead, let’s pretend history is an opening, rather than a closing. let’s pretend the day began like this — my sister found you moments after your facetime, & when she peeked inside your car, your face still held color despite being covered in plastic. let’s pretend my sister grabbed the tire iron from her car’s trunk & banged on your car’s window until it rained glass. let’s pretend she threw open the car door, pulled you out by your feet, slowly bathed your body in light, until your head rested in her arms. let’s pretend she poked the plastic around your face into a necklace, pressed her lips to yours, & started filling you with air. let’s pretend you started coughing & then blinking & then laughing: you found me. i was waiting. let's pretend only joy entered my sister's throat, not devastation, as she held you, as she thanked the sky for not slipping inside & turning you blue.
Appears in Smokelong Quarterly
VISUAL ART
Though these are just a few examples of mini work that we love, we hope that these pieces can give you some inspiration ahead of our submission period. Submissions open this Friday (June 6th) – we hope to see your work shortly.
As always, thanks for reading – and thanks for being here with us.